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Destination Weddings · During the Wedding

Family photographs at a destination wedding, without the scramble

Help traveling relatives arrive comfortably, know where to meet, and enjoy the time together.

A large family shares a group hug around the wedding couple outdoors.

Watch Robert’s advice

Robert Evans on getting family members to wedding portraits on time

Robert suggests a personal invitation to family two weeks to a month before the wedding. Help traveling relatives feel included and give them a clear arrival time, meeting place, and transport plan.

Original wedding advice video, with destination-focused written guidance below.

When family has traveled a long way to be together, a wedding portrait can carry particular meaning. The preparation should make that photograph easier to enjoy. Decide which groups matter, explain the relationships, and give everyone a clear plan before they leave for the celebration.

Make the meeting place easy to find

At an unfamiliar resort or estate, a room name may mean little to a guest. Share a recognizable meeting point, an arrival time, and the transport plan. Ask your planner to consider walking distances, shade, seating, and anyone who needs help moving between locations.

A personal invitation two weeks to a month before the wedding helps relatives understand why you want them in the photographs. Confirm the arrangements again during the weekend. If you have a family gathering before the wedding, use it to introduce important people to your photographer; it makes names and faces easier to connect when portrait time arrives.

The work that makes family portraits feel easy happens before the wedding: deciding which groups matter, telling people where to be and helping your photographer understand who everyone is.

Make a list of people, not a catalogue of poses

I find a family photograph list useful. It tells me which combinations matter to you and helps us avoid discovering afterward that someone was missed.

Write the names in each group and explain the relationships. “Us with our grandparents” is a beginning; the names help us know exactly who belongs in that photograph.

Start with the essential groups. Include people who are family to you even if they aren't relatives: godparents, close friends or someone who helped raise you. Review the list with your photographer so the time allowed reflects the number of photographs you want.

Give someone the job of recognizing faces

A photographer can read a name without knowing which person it belongs to. In my book, I suggest appointing a trusted family member who can help connect names and faces.

Choose someone who knows the people involved and is comfortable gathering them. If the two sides of your family don't know each other, a helper from each side may be useful.

Your photographer can then keep making pictures while the next group gets ready. That is much easier than interrupting every photograph to begin another search.

Tell people early—and make them feel wanted

Don't wait until the rehearsal dinner to tell relatives they need to arrive early for portraits. Give them the meeting place, arrival time and any practical details in advance, particularly if they are traveling or bringing children.

Let them know why you want them there. “It means a lot to us to have a photograph with you” feels different from another item on a schedule.

A reminder the day before is helpful. It should confirm a plan they already know, not introduce a surprise.

Plan around your family's needs

Discuss sensitive family relationships privately with your photographer. Tell them which groupings feel comfortable and which should be avoided. Also mention anyone who needs seating, a nearby location or a shorter wait.

Schedule the portraits around your choice about seeing each other before the ceremony. There are workable approaches either way. The important thing is to give the photographs their own time rather than expecting them to fit into whatever remains.

Leave a little room for personality

Once everyone is together, let the photograph breathe. I often make a straightforward portrait and then invite people to move closer or share a hug, if that feels comfortable. The expressions can change immediately.

A useful family list gets everyone into the picture. What happens between those people is what makes the picture yours.

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